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<a href="http://asdkjhuewr2.freehyperspace2.com/?">asdkjhuewr2</a> ... With its insider track, specialized skill, and beat-the-system sentiment, 21 is desperate to be a cracking cautionary tale for the Hard Rock Cafe crowd. Instead, it's a middling entertainment that gets a lot of mileage out of very little cinematic star power. Somewhere buried in all the glitterati shots of neon-streaked avenues and polished gambling pits, the comp suite spaces, and hallowed halls of advanced learning is a truly amoral romp about cheating to achieve material gains. While Spacey's Micky makes it very clear that there is nothing inherently illegal about card counting, Fishburne's got a series of scary rings on his fist that says different. One of them is right, and it's this ethical quandary that consistently subverts the film's narrative strides.
... asdkjhuewr2

<a href="http://asdkjhuewr2.freehostingz.com/?">asdkjhuewr2</a> ... In fact, the vast majority of 21 plays like an overlong lecture in ethics class. Sturgess is viewed as both a wide-eyed innocent and an easily-directed huckster. One moment he's concerned about doing the right thing. The next he's foaming at the mouth to make another trip to the Blackjack tables. He does incredibly dumb things -- hiding tons of cash in his ceiling, ignoring his overly curious friends -- for such a smart guy, and his motivational shifts are so severe that we never get a clear handle on his goals. It's the same with everyone else in the film. Spacey seems poised between villain and Svengali, in it for the money and/or the interpersonal manipulation. Bosworth blossoms when she works the dealers undercover, but seems strangely one-dimensional when purely acting the student. ... asdkjhuewr2